I am interested in the political constructs and implications of urban sites and spaces in real and imagined contexts.  In underground, the contained social and physical structure of a train station - with its pathways, tunnels, signage, surveillance, timetables and so forth – is read as a microcosm of the wider social and political order and its topography.  Through a re-imagined context and re-construction of the site, I contest and critique the inherent oppression and alienation of dominant society and its governing ideologies by playfully releasing resistance and anarchy, insubordination rather than subordination, into its capitalist law and order.

The fluidity of photo-collage stop-motion creates an arbitrary terrain in which time and representations of place aren't fixed but are interchangeable and malleable: spaces morph, fragment and flux as they build up on top of one another.  What supercedes everything is that although framed by our spatial and political landscape, time, space and memory can always be imagined, lived and experienced in a subjective realm.